Why clowns are so darn important...

A conversation with Toby (or would you prefer Sara Moore - let me know how we should list you)

(I am going to have dominique do some history so you can be as wild and zany as you like)

Short Bio:

(Stolen from CC website - feel free to adjust)

Sara Moore brings to the leadership of the Conservatory over three decades of experience as a performer, writer, director, and teacher. Her substantial body of creative work covers the full spectrum of clowning and spans multiple media, including the big top, film, Off-Broadway theaters, casinos, and outdoor venues.

Moore has created, directed, and performed material for Ringling Bros. and Barnum & Bailey Circus, The Krofft Puppets, Royal Caribbean International, Tropicana Hotels and Resorts, The New Pickle Circus, Six Flags Show Productions, and Merv Griffin’s Resorts Casino and Hotels, among others. She also wrote, directed, and co-produced the independent feature film “Homo Heights” starring Quentin Crisp, which is widely considered a cult classic today. Her recent solo show, Show Ho, has earned critical and popular acclaim through several sold-out runs.

Sara  directed the 2014 Circus Bella show “Here we go!” and starred as Ding in Circus Bella’s 2018 inaugural tent performance “Kaleidoscope”.

Who are your inspirations?

Why is tripping, falling and farting always so funny?

Something I think about the clown as the epitome of the human foible. (I love the word foible - maybe it is our next show)

Why are clowns so gosh darn important?

What else?

What is next?